What Do We Seek in Ceramics? What do we seek in ceramic works, and why are we drawn to them in the first place?The answer naturally varies dependin...

Since last spring, we have had the pleasure of working with Akane Kanamori. I wrote about how we first met in a blog post at the time, but since th...

When I was first drawn to Amanda Tong’s work, it was through her “Perfect Imbalance” series — monochrome forms infused with a sense of yin and yang...

I first met Keiseki Yoshimi in the autumn four years ago, about a year after starting Kamatotsuchi. Looking back at the article I wrote at the time...

In the February 1 issue of Hono Geijutsu, in the feature “Japanese Ceramics Shining on the World Stage,” I recommended Mami Kato as a gallery-recom...

Following last year’s “Kanwan,” this year we are finally able to present the long-anticipated gathering of female artists, “Komachi Engei.” Five ar...